Friday, September 7, 2012

85/365: Art for Insomniacs

Today (in the wee hours) I made:

a blind painting...

Insomnia- that unwelcome visitor- she wakes me out of a dead slumber, usually after about four hours of REM. She steals my sleep and fills my head with anxious thoughts. She comes a few nights in a row, until I am too exhausted to entertain her. I lie there restless and frustrated until I can't stand it any longer. I usually get up to read or research on the Internet. I heard recently that the ambient light from computer screens wakes up our brains and makes it harder to fall asleep, so no more of that.

Early this morning as I tossed and turned after my four hour "nap," I contemplated my options. Then it occurred to me: I should paint, right then and there, in the dark. It's not like I was doing anything else productive and I couldn't possibly stay in bed another minute. I didn't want to move my art supplies from my bedroom art space or turn any lights on for fear of making myself too alert, so it made perfect sense to paint in the dark. 

So at 3:47 a.m., (according to the digital clock, the only light in the room) I climbed out of bed and put on my art apron to spare my cute pajamas. With my husband and my very spoiled dog snoring in the bed two feet behind me, I rummaged through my stack of blank canvases, pulled out a chunky paint brush and reached for what I hoped were analogous paint colors (colors that harmonize with each other and don't make mud when mixed.) Luckily I keep my paint pretty well organized in an old Coca-Cola crate on my art desk, so I was fairly certain I was in the area of blues and greens. The one color I was sure about was white. It glowed the brightest as my eyes adjusted somewhat to the dark. I began applying dabs of paint to the center of my canvas. A few sweeping strokes with the brush and the small space was covered- I imagined the colors streaking and blending together. Soon my hands were involved, feeling their way around the space, moving the paint, swirling and dabbing with my fingers. The tip of something pointy was useful for etching a rough self portrait, facial features arranged on blind faith. I scrawled in a word, like a third grader learning cursive for the first time, unsure of my letter formations. I didn't think about it. I let my hands do the work. I didn't question when to stop. I stopped at the first yawn.

At 4:09 a.m I crept to the bathroom to wash out my brush, and pleased to find my hands covered in white, blue, green and teal paint, I decided to have a peek at the canvas.

"Insomnia 9-7-12, 3:47 a.m." acrylic on 8x10 canvas; (Yellow crescent & charcoal shading added after sunrise.)
There they were, the circle and the one-eye-open girl- those personal symbols, those familiar gestures- that keep showing up in my art when I don't know what else to paint. There was a crescent moon etched above her shoulder and a setting sun below. The white finger prints, perhaps they were the sheep I counted? I liked how the etching came out so stark white in the wet paint, how the colors gradiated from dark to light (left to right) in a sleepy haze. Those were happy surprises. But mostly I liked how for twenty-two minutes I painted with no regard for the end result. I released control. It was the most fun I've had and the most freedom I've felt in my art space in a long time. I didn't care what it looked like in the light. I was willing to make bad art at four o'clock in the morning. This was just a midnight expression.

Later today I allowed myself to go back and assess my blind work of art. At first I hesitated to alter it in any way, as it was such honest work, born out of the moment, untainted by my inner critic. But in the end I decided, part of my job as an artist is to step back and decide where a piece can go and when it is finished. Last night I layed down the basis; today I added a cut paper crescent moon inside the original crescent etching for a pop of color, and some charcoal shading to the left side of the sun sphere. I decided this was enough and left it at that. 

The downside: I'm a tired girl with a sloppy art desk.
The upside: If the insomnia continues, I may be able to start a new series.
Can't believe I'm actually looking forward to the next sleepless night. 

Thursday, September 6, 2012

84/365: Hanging Inspiration

Today I made:

a design line...

Still plugging away at my calendar pages. I've never had this many pieces going at once, so it's been a lesson in organization keeping them all straight. The bits and pieces of the series come together willy-nilly and I find myself sorting them and designating piles of little elements for each month of the project- a photo here, a text snippet there, a color swatch to tie it together. I invariably get an idea for another one of the pages as I work out a design or rummage through my supplies. Pretty soon my art desk is all a-clutter with ideas that I couldn't possibly take on all at once. My tiny art space does not have room for piles!

So I'm finally putting my inspiration wire- my design line- to good use. I've been clipping page notes and corresponding pieces together and hanging them on a length of chord that stretches across the wall of my art space. Things stay tidy and organized and enough out of the way, but they are within sight and reach so I can add bits and pieces to each page as I get inspired. This is essentially the same as tacking things up on an inspiration board, but my line works well for my twelve mini projects. I'm starting to see it all come together!

Wednesday, September 5, 2012

83/365: Scantastic Ways to Add Color to a Page

playing with color and texture for a calendar page;
That green paper is a scan of a vintage book cover.
Looks like fabric, doesn't it?
Today I made:

my scanner work for me...

Whether I'm creating a mixed media piece on a canvas, or working on paper to design an art journal or scrapbook layout, I'm always trying to find new ways to add color to the page. Don't get me wrong, I love me some paint and pastels, but they don't call it mixed media for nothin'! I'm also finding that commercially produced scrapbook paper can get a little boring to use all the time, so lately I've been making my own paper.

A scanner really comes in handy for this. If it can fit under the lid without damaging the glass, I've scanned it. I've tried everything from fabrics (right out of my closet), to vintage book covers, wicker baskets, wood, my hand, scrabble tiles and leaves. Textures and colors stay true when scanned; it's just a flatter version of the real thing. I tend to save actual fabrics and 3-D elements to use as embellishments, but the scanned versions work great as flat backgrounds to write on or can be torn to bits and mixed into a collage. I just have a cheap printer/scanner/copier combo and it does the trick. This is not the most efficient use of ink, but sometimes I see just the right color or pattern for a piece and can't help myself. If you don't have the paint color you need or you can't find exactly what you're looking for in that stack of store bought patterned paper, look around, inspiration is everywhere. And it can be scanned!

Tuesday, September 4, 2012

82/365: Collage Composition & Cameras

Today I made:

digital photos to help with composition...



No power tools today. I took a break for softer things; back to working on my calendar pages. Here's a sneak peek of a summer month I'm working on.





The pages are coming together much like my art journals and scrapbook pages do. A picture is often the inspiration for both color palette and text. I like to collage in several elements (paper embellishments and ephemera) while I'm designing, but sometimes it's hard to know where things should go on the page. Mostly everything I've learned about composition in collage, I've discovered through play and trial and error. There are some general guidelines to composition (that I could spout off if I had gone to art school), but I like to trust my eye. Pieces get moved around until the composition looks "just right."

One handy trick I use is to take a digital photo of a layout or composition before attaching anything to the collage surface. Then I move things around to try a different composition and take another photo. I repeat this a few times without gluing anything down until I have three or four versions of the page on my camera. Then I flip through them to see which one is the most appealing to the eye. It helps to have options to compare side by side. It's kind of like having a studio mate and asking, "Which version do you like better?" But my pup is not much help in this area, so I go it alone with the aid of my camera.  Our eyes know what pleases us.

Monday, September 3, 2012

81/365: Jigsaws and Sun Dresses

Today I made:

progress in the wood shop...

The sun drew us out today, but still in my play clothes, I did make a bit of progress on my cigar box ukulele. After some careful measuring I was ready to cut the channel to set the neck into the cigar box body. Have I ever mentioned how much I dislike taking precise measurements? A lot. I actually marked my measurements on the wrong side of the box and had to do it all over again. Measure twice, cut once,  right? Though I did discover a nifty contraption called a combination square that lets you measure at perfect angles. That made things a little easier. When hubby is not looking, I'm going to borrow it for my art space to measure photo mattes.

I was rewarded for my patience with my first go at a jigsaw. Have I mentioned how much I do like power tools? I've always been intimidated by them- with all their loud noises and sharp blades- but I must say I'm finding it to be a very empowering experience.

It is quite clear to me now that I have taken on a project that is going to take time, patience and skill (the latter of which I hope to acquire along the way.) This is not slapping paint on a canvas and calling it art. This will require fine craftsmanship. The greatest thing I took away from today's session at the work bench is the idea of leaving a creative project in progress at a point where you know exactly where you'll pick up the next day. This practice will transfer beautifully into my art space. From now on, to keep from feeling stuck and wondering what to work on, I'm going to end my creative sessions with a plan for the next day. Showing up to make art will be easier when I have a specific task to look forward to.

Here are today's wood shop adventures. Sorry for the dark pictures. They don't call it a man "cave" for no reason.

jigsaw training


cigar box ukulele, day 2








Sunday, September 2, 2012

80/365: Wood Shop Warrior


Today I made:

a plan to infiltrate the Man Cave...

Safety first!
My husband is one of my creative heroes. His love for music led him to want to build his own guitars. So while I play at my art desk in our bedroom, he spends his time crafting instruments in the garage turned man cave/wood shop. Recently he began experimenting with repurposing old cigar boxes and turning them into cigar box guitars & amps. He does all the wiring so they're electric! I am quite in awe.


The other day, he proposed we build instruments together- cigar box ukuleles for each of us. Because I love to learn new crafts and am hoping that if I build it, the urge to make music will follow, I am all on board!



So despite having full knowledge of my reputation with sharp instruments, hubby has invited me into his wood shop where he is showing me, step by step, how to construct this curious piece of awesomeness. It is a miracle I still have ten fingers and no broken bones or sutures in my medical history. Let's hope I can keep it that way. Wish me luck. I need all my fingers for art making.

Today I learned how to cut the neck for my ukulele on a table saw (with a handy little safety piece over the blade). That's hubby cutting the angle for the headstock. Wood glue and monster clamps fixed the angle piece onto the neck. The belt sander was my favorite!

We're almost done forming the necks. Tomorrow we add the fret boards and set them into the cigar box, which will be the body. Then the electronics! Huge learning curve for me, but it's nice to try new ways of creating. Now I understand why my husband is almost always covered in a fine layer of saw dust. :)

Saturday, September 1, 2012

79/365: A Creator's Manifesto, Unedited

Today I made:
the beginning of a manifesto...

When I reread last night's post I nearly fell out of my chair.

"Could it be that deep down I still don't value the creative time I've given myself?!"

What the WHAT??!!
Did I really just say that?! Crazy!
I must have been playing devil's advocate in a one-sided conversation with myself. Writing it out really did the trick. I think last night's rant was a major turning point in my journey. Today I see things a little more clearly. I can accept that what got done is more important than the intended to-do. These 79 days have been a gift.

That brawl with my inner critic must have toughened me up because I'm feeling rather fired up about my own libelous statement. Who knows how long this will last, so I'll get it out now.

I obviously value the time I've spent being creative and reflecting on my creativity if I would spend this many days (in a tidy row!) blabbing about it and showing off my efforts. Who was I trying to fool anyway- making my journal accessible to the world and then pretending it was all for me? Truth is, I have a message to spread.

It took me a while to get comfortable with sharing my voice and my truth. If you know me, you know I have a tiny voice. But there's heart behind it and I can get real loud when I think I have something important to say. And golly, I do! So tonight, I'm turning off my censor, no matter who is following along. This is my manifesto in the making.

Excuse me while I climb my soapbox.
This is how I see it:

Creativity is important.
I had this inkling as a blossoming artist a couple years ago when I just wanted to fit more creativity into my life, and focus on the creative process (totally separate from talent and achievement in the arts) because it felt good. It made me feel alive between the mundane day-to-day. It helped me gain confidence in speaking up. It helped me find an even bigger purpose than I set out to have. And it was just plain fun.
Creativity is important.
This message is reinforced for me every time I reflect on my work as an elementary school teacher.
Creativity promotes learning. Creativity should be fostered in children and adults. Creativity empowers us and builds our self-esteem. Creativity lets us practice being brave, making decisions and taking risks that push us to discover our own potential. This I learned by watching kindergartners play, and that is the most honest play there is.

Betty Edwards says it beautifully in her book, Drawing on the Artist Within.
"Creativity. It is the force that drives problem-solving, informs effective decision-making and opens new frontiers for ambition and intelligence. Those who succeed have learned to harness their creative power by keeping the light bulb turned on."
Is it just me or does anyone else believe we need to be creative in order to ensure our survival on this planet?

The creative process is in every thought we entertain, every action we choose to take, every desire we manifest. We are the creators of our experience. Shouldn't we all be living joyful lives of our own making? Whether we are creating a little art eye candy that makes someone smile, writing that makes someone think or whether we are redesigning our lives to make them feel like our lives, creativity is key.

I choose art and writing to create my happiness. I choose community to support it and my passion for teaching to share it. Art, writing, community, passion, fashion, music, medicine, and cupcakes- these are just a few of the things we can create and they have one common thread: in the act of creating them we make ourselves happier. This inspires us to live more creatively on a consistent basis. When others see our energy and passion for what we are creating, it inspires them to choose creative acts that in turn spread more happiness.

creativity + your spin on it = happiness

So is creativity worth our time? Yes oh YES!
This is what I've been "working" all summer to help myself realize. This is what I want to help others realize, for the common good. For ourselves, our families, our communities and the future of our world, each one of us must use our creative license. 
Each one of us has that creative spark. Find what makes you happy and fan the flame.